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Mayim Bialik discordou dos escritores da teoria do Big Bang sobre um ponto da trama



Mayim Bialik discordou dos escritores da teoria do Big Bang sobre um ponto da trama





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No penúltimo episódio de “The Big Bang Theory”, intitulado “The Change Constant”, tudo muda para Sheldon Cooper e Amy Farrah Fowler-o casal casado e de espírito científico interpretado por Jim Parsons e Mayim Bialik-quando descobriram que ganharam o Prêmio Nobel em Física por sua obra compartilhada em superfase. (Além disso, após os anos literais, o elevador do edifício é consertado.) Depois de ver fotos de si mesma on -line que ela não gosta, Amy, auxiliada por Raj Koothrappali (Kunal Nayyar), recebe uma reforma bastante modesta e levemente modernizada … mas, como se vê, Bialik não foi um grande fã dessa trama.

No livro 2022 de Jessica Radloff “The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series“Bialik disse ao escritor que ela não sabia se Amy realmente necessário Uma reforma, embora ela tenha reconhecido que se beneficiou disso em um nível pessoal. “Este é um caso em que não sei que concordei com nossos escritores, mas também tenho fé final neles, e isso faz parte de fazer parte de um jogador de equipe em um programa”, admitiu Bialik.

“Adorei ter que usar roupas mais agradáveis, e foi realmente emocionado ter meu cabelo depois de ter o mesmo [style] por todos esses anos. Estava endireitado [all those years’, which damaged my hair in ways it may never recover from, which is fine, because now I have short hair and I’ve stopped trying to see if it can ever be healthy again. But honestly, it was so exciting that I didn’t have to wear it straight anymore, and I could have some more character to my hair and my face.”

“So it felt really good that people could see me that way, but in some ways, it did feel like a betrayal of our Amy,” Bialik continued, name-dropping a department store that actually shut down in 2018. “We didn’t go crazy and have her dressing in ways that completely didn’t look like her. She still wore kind of sensible things — like what you’d get at Loehmann’s.” Changing Amy’s appearance was still something Bialik had a major conflict about. “I thought it would be, ‘Let’s dress Amy up and take her out for the night!’ I didn’t think it would be like, ‘Here’s her new normal!” (What Bialik means by that is Amy maintains her “new style” during the Nobel ceremony, though she does add a very personal, very “Amy” touch … a tiara.)

Executive producer Steve Holland said he understands

Executive producer and writer Steve Holland also spoke to Jessica Radloff extensively for her book, and while he acknowledged that Mayim didn’t love this storyline, he felt like it made sense for the narrative. “I think this was one of those moments where the story in the script wasn’t exactly the way Mayim had pictured it,” Holland revealed. “We felt that the storyline was really honest, because oftentimes, when people see themselves on TV or in pictures all the time, it can make you really self-conscious. It felt real in a way that we thought was interesting, but I don’t know if Mayim ever completely came to terms with that storyline.” He continued:

“We were honest about where we were coming from and why it was okay that Amy can be complicated and not really care about her appearance that much, but on some level, it was something that we had talked about as writers who are not on camera a lot; you go to things like the Emmys and you start getting pictures taken and it makes you have respect for actors who have to see themselves all the time. You get very self-conscious about things you’ve never thought of before. Like, ‘I don’t care what I look like — I’m wearing a T-shirt and jeans!’ Doesn’t matter. And then I see pictures, and I’m like, ‘Why didn’t I put on a nicer shirt?’ So it felt very human and real to us for Amy.”

Still, as Holland said, Bialik’s disagreement didn’t fully stop her from doing her job as a performer. “But to Mayim’s credit, even though I don’t think she 100 percent agreed, never for a second was she like, ‘Well, I don’t want to do it,'” Holland clarified. “She voiced her opinion and we had a discussion about it, and she was like, ‘Okay, here we go.”

Some rougher jokes were cut from the scene where Raj suggests a makeover for Amy on The Big Bang Theory

Still, as Steve Holland said, Mayim Bialik did give some feedback about the scene between Raj and Amy where he finds her crying over the “unflattering” shots of her in the bathroom, and he took her quite seriously. In the final version of the scene, Raj does make some light jokes — after telling Amy she’s a beautiful woman, he says, “By the way, if you are not happy with those pictures, then make some changes. Get a haircut, new clothes, new glasses, bigger glasses, no glasses. Then you won’t be able to see those pictures.” Still, he encourages her to tap into her inner beauty and appreciate herself, and it sounds like the original scene might have veered away from that. 

“Also, the scene where [Raj] Encontra que Amy chorando no banheiro originalmente teve algumas piadas lá que se desviou do lado maldoso, e Mayim apontou com precisão isso “, reconheceu Holland.” Nós pensamos: ‘Você está certo, esses são maldosos. Nós vamos cortar isso. ‘ Às vezes você pode se perder; Você está em um quarto de escritores, está tentando fazer uma piada, rir uma grande risada e, às vezes, isso pode cegá -lo até o fato de vê -lo no palco. Tentamos ser boas salvaguardas para isso e o elenco, que também eram realmente protetores de seus personagens, como deveriam ser. “Claramente, tudo deu certo no final … e pelo menos Bialik realmente amava seu corte de cabelo, mesmo que Ela também admitiu mais tarde que nem gostava de assistir ao show tão.

“The Big Bang Theory”, incluindo “a mudança constante”, está transmitindo no HBO Max agora.





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